Joyful Raven Studios
Class Performance Showcase
In Person at The Marsh Berkeley Theater
Tuesday, March 18 & Wednesday, March 19, 2025 at 7:30 pm
Click for Tickets
Ticket Information
Tickets: $10 – $35 General Seating sliding scale | $50 & $100 Reserved Seating
Online ticket sales close 2 hours before each performance,
and additional tickets may be available for purchase at the door.
70 minutes | No Intermission | Ages 16+
Please do not bring infants to the show
Please read our
Health, Safety and COVID-19 Information
Our commitment to our patrons
Performers
Tuesday March 18
Judith Linzer’s A Jew in Palestine
What happens when an American Jew from Oakland goes to the West Bank to see what’s really going on? And why is there so much resistance from some other Jews in hearing about it? Is there a blind spot? Who’s the Perp?
Johnny Ray’s After The Fall
When a freak accident forces a man to save his life by taking a leap of Faith.
Liz Fox’s There’s No Place Like Home
Liz Fox made some wrong turns while searching for the right place to raise her family. When she settled in Berkeley, she discovered its imperfections and begrudgingly accepted that she’d still have to do some work to launch her kids, who rebel in the most unspeakable of ways: by refusing to compost.
Daisy Crane’s Sweet Summer Storms
Daisy Crane grew up a middle child, in middle America, in the middle of two divided and diverging worlds. She spent her childhood watching different versions of freedom rise up and flood the lives of her loved ones. She now wonders about her own search for freedom in this surging and swirling world.
Robyn DeGuzman’s Voices
All this Filipina wants is to exist in peace, raising her children and following her heart. Can she turn the volume down on the voices that try to keep her from following her dreams?
Wednesday March 19
Katie Macks’s Inner Activist
The Vageni is out of the bottle. We’re taking a ride from the confines of the Patriarchal World Culture to the freedom that ensures when one does their own work to find her freedom and liberation in unexpected places.
Benjie Lasseau’s Love, Suzy
Love, Suzy explores a long distance relationship full of letters, postcards, flirtation, theater, and bicoastal visits. Could it have been more?
Claire Elliott’s Nice Guy
A chance encounter with serial killer Ed Kemper leads a 22 year old anti death penalty activist to examine her own desires, motives and complicated relationship to “niceness”. Does she have more in common with Ed than with his decapitated college age victims?
Sye Gratz’s My Offstage Scene Partner
After a traumatic experience, a performer leaves the world of acting in exchange for a career as a therapist. Off stage and creatively blocked, they yearn to find a way back to performing. With a little help from scene partners of the past, a healing journey unfolds as the craft of acting and trauma healing converge.