Program Director: Alexa Almira
House Manager: Arnie Warshaw
Light/Soundboard Operator: Alexa Almira
About Monday Night Marsh
Stephanie Weisman, our theater’s founder and artistic director, started The Marsh because she wanted a place for writers and performers like herself to easily develop their work. IN 1989, she planted a see by starting a Monday night performance series at The Hotel Utah on Bryant Street. Monday Night Marsh is the seed that sprouted into what is now The Marsh Theater: A Breeding Ground for New Performance. The program prides itself in sharing personal stories and unique experiences of all types, with a goal of amplifying the voices of our community. It is crucial, now more than ever, to share your story. Local celebrities like Josh Kornbluth, Marga Gomez, Irma Herrera, Diane Barnes, and so many others got their start on Monday Night Marsh.
Every Monday (unless it’s a holiday), we feature 3 people who perform up to 20 minutes of their (work-in-progress) piece. Each group performs twice in a month. After each show, we do a Q&A with the audience and performers, which allows for the opportunity to give and receive any feedback. You can watch in person, or stream via zoom for free.
Follow us on Instagram! @mondaynightmarsh
You truly never know what you’re going to see at a MNM.
Join us. Wonderful things can happen.
Mondays at 7pm
Two Ways to Watch!
IN-PERSON
In Person at The Marsh Theater in San Francisco
1062 Valencia Street
San Francisco, CA 94110
Doors open at 6:30pm | Show starts at 7pm
*STREAMING

*Streaming tickets are pay-what-you-can
Virtual doors open at 6:50pm | Show starts at 7pm
Submit Your Piece!
Are you a monologuist, solo performer, movement artist, solo musician, comedian, etc.? Whether you are in the very beginning stages of your piece, or have a polished piece you’re putting the final touches on, MNM wants you! We encourage you to apply whether you’re a first-time or seasoned performer artist. More information on what to include in your submission and what dates will be available for the fall 2026 series will be made accessible here on April 1, 2026.
July – December (Fall) 2026 Series
Submission Period Opens: April 6, 2026
Submission Deadline: June 15, 2026
If you have any questions, please email our program director at mondaynight@themarsh.org
Happy writing!
Spring 2026 Upcoming Performances
January 12 & 26
Max Langert’s
A Friendly Lady

Show Description: Triggered by hearing his once-unpredictable sister described as “a friendly lady,” her brother sifts through family archives of police reports, doctors’ notes detailing experimental therapies, and his own fragmented memories of shattered milk bottles and 70s sitcom themes, trying to reconcile the wild, screaming child he knew with the pleasant, middle-aged woman she has apparently become.
Artist Biography: Max Langert is a playwright, producer and storyteller born and raised in Oakland. His plays have been performed in New York, Los Angeles, Boston, Dallas and elsewhere. He’s told stories for Listen to Your Mother, Testify, Austin Bat Cave and The Vancouver Story Slam. He’s produced benefit shows for The Autism Society, The SAFE Alliance, and VELA Families. An indie film based on his play A Million More to Go premiered at the Cannes Film Festival in 2025, and a version of last year’s Monday Night Marsh performance was featured on the New York-based podcast RISK! this past June.
Carrie Mader’s
Worth It

Show Description: In this bold and unflinchingly honest one-woman show, Carrie D Mader shares the true story of the night a famous DJ offered her $100,000 to sleep with him and the unexpected awakening that followed. What begins as a shocking proposition becomes an exploration of self-worth, marriage, and the invisible systems that shape how women see themselves.
Through humor, vulnerability, and raw truth, Carrie unpacks how easily we confuse value with validation and what it takes to reclaim both. WORTH IT isn’t about blame; it’s about freedom.
If you’ve ever questioned your worth or learned to play small to feel safe, this show will remind you: your fullness isn’t a threat, it’s your super power.
Artist Biography: Carrie D. Mader (Writer & Performer) is a designer, storyteller, and creator whose work explores feminine power, conditioning, and self-worth. She is the founder of Naked & Unafraid, a women’s book club devoted to reclaiming joy and inner freedom, and the creator of SheSwayz™, an AI-powered app for women over 35 inspired by the two books that woke her from her own slumber: Unbound and The Untethered Soul.
After years of creative work behind the scenes, WORTH IT marks Carrie’s return to the stage, a homecoming to the passion she first discovered starring in her high school musicals. When she’s not writing or performing, she designs spaces both physical and emotional that help people feel more like themselves. You can find more about Carrie at www.carriedmader.com
Abbey Glover’s
I’m a Businessman, Man

Show Description: Abbey is on a quest to become the ultimate businessman. She just has to change a few things about herself, but how hard can it be? Now, on the brink of achieving everything she’s dreamed of, the facade she’s spent a decade constructing starts to fracture. Instead of enjoying the rewards of her hard work, Abbey is forced to confront her deepest fears and face the insecurities she has tried to bury beneath her business suit. With her trademark wry humor, Abbey explores what happens when we lose ourselves to the whims of a society fueled by individualism, competition, and a pervasive feeling of never-enough-ness.
Artist Biography: Abbey Glover is a San Francisco-based writer and performer whose work explores themes of self-expression and vulnerability with wry insight that “wouldn’t be out of place in either a Greta Gerwig film or a Peanuts comic strip” (The Scotsman). Her first solo show Abbey’s Box premiered at the 2023 Edinburgh Fringe Festival, earning multiple 4- and 5-star reviews from publications such as The Scotsman and Broadway World.
February 2
Janet Thornburg’s
When Things Begin to Shift

Show Description: I’m embarking on my golden years, with children raised and retirement attained. It’s time to rest on my laurels…but conflict flares among my sub-personalities. Plum just wants to play. Hannah thinks we should start substitute teaching to save for a rainy day. Wild Child vows she’ll never set an alarm again. Chaos! And then things begin to shift!
Artist Biography: Janet Thornburg has written and performed eight solo shows in San Francisco. In August 2024, her solo piece, “The Bequest,” was voted Audience Choice Short at the In Front of Your Eyes Festival at the Marsh in San Francisco. “When Things Begin to Shift” is an excerpt from the full length show she is currently developing with David Ford at the Marsh.
Bennet Caffee’s
The Shampoo Effect
Show Description: Bennet wants the ultimate acid trip, the one where you see god, but he spilled shampoo all over his acid so he takes three hits just to be sure. Nothing happens so he takes two more and – oh wow!
Artist Biography: Bennet Caffee’s performances are about his experiences with bipolar disorder. He’s done other material, but “this stuff is gold.” He performed his first show ‘My First Miracle adventures in biploar disorder” at Fringe Festivals around the US and Canada. Currently he has toured his latest show “Orange you glad to be in Miami?” at the Oregon, San Diego, Fresno, Orlando and Tampa Fringe Festivals.
Karin Babbitt’s
About Uncle Egon
Show Description: This piece exhibits the experience of being a Second Generation Holocaust Survivor through a lens that is at times very comedic and others, more poignant. Most people have a family tree. After Auschwitz, we had a family twig. One member of the remaining family was the eccentric Uncle Egon. His kindness — and his phobia – was legendary. This tale recounts our childhood and later encounters, and the resulting impact. The delinquent adolescent is embraced by the elegant uncle in the Dior suit.
Artist Biography: Karin Babbitt is a Comedy Store Legend who performed nightly through the 80’s on the mainstage in Hollywood. She was one of the 10% of females in a roster of over 200 male comics. Featured on many TV shows of the time (MTV, Vh-1 ,etc.), she he toured America, headlining comedy shows and opening for rock stars. Karin relocated to the San Francisco Bay Area in 1988. In 1990, she became a finalist in the San Francisco International Comedy Competition out of a field of hundreds (mostly male) and became a staple of Bay Area radio. Wanting to do something that mattered, she segued into teaching, both high school and college, then later managed a vocational film studio which trained adults with developmental disabilities. Covid brought her to reclaim her passion for stand up. Today, Karin is an instructor with the San Francisco Comedy College, headlines all over, and has recorded her first album: Not In A Cult. Find it on Spotify, Apple and YouTube.
February 9 & 23
Carolyn Edwards’
I’ve Been Longing for You my Whole Life

Show Description: I’ve Been Longing for You My Whole Life burrows into the story of a locked up little girl, her Eagle Scout father and zealous mother, a flaming love addiction, and a final reunion.
Artist Biography: Carolyn McVickar Edwards is a psychologically-minded storyteller, teacher, and writer, who digs life’s mythic roots. carolynmcvickaredwards.com
Sanjit Sengupta’s
Shoeshine Chemistry

Show Description: A shoeshiner in Union Square, San Francisco, meets an affluent finance executive from Chicago. Despite differences in demographics and socio-political views, they can find common ground.
Artist Biography: Playwright Sanjit Sengupta will direct this 15-minute play in collaboration with two local Bay Area actors. His short play, Dance With Me, was performed live in Monday Night Marsh in September 2025.
Sanjit Sengupta’s plays involve contemporary and historical social themes. His short plays have received productions in San Francisco, San Diego, Anchorage, AK, and Louisville, KY. He is a member of the Dramatists Guild, Playwrights Center of San Francisco, and a Board Member at Play Café, Berkeley, and The Pear, Mountain View, CA.
Sara Felder’s
Money

Show Description: The street performers in Berkeley used to say, “Aint nothin’ funny ‘bout money.” It’s totally true. And yet, here she is writing a comedy about her personal experience of money, class and that long trek from a shtetl in Poland to an apartment in Brooklyn to a treehouse in Oakland. This is an excerpt from a longer work.
Artist Biography: Sara Felder has, over the last 30+ years, created a body of work that juggles personal narrative, social justice and circus shtik. She has created five solo theatre shows, is a former juggler and dancing gorilla with San Francisco’s Pickle Family Circus, toured with Joel Grey and his “Borscht Capades,” opened for Joan Rivers, performed in Cuba with Jugglers for Peace, taught ongoing juggling workshops at San Quentin Prison, has received oodles of commissions and fellowships including from the California Arts Council, the Creative Work Fund, the San Francisco Art Commission and Leeway Foundation, the latter of which honors women and trans artists committed to social change. Sara is so happy to be back at the Marsh where most of her solo shows have premiered or played!
March 2 & 16
Zoe Kat’s
Elder Hoe vs Medical Sexism

Show Description: Zoe Kat’s piece explores the medical sexual marginalization of women through the lens of a mature sex worker and cancer survivor.
Artist Biography: Miss Zoe is a longtime resident of San Francisco. She has written and performed in the bay area focusing on issues of Disability and sexuality. She has been a sex worker for a total of 22 years, starting with a stint and phone sex at age 20. She Has found through the myriad of healthcare woes that artistic expression is a way to find solace,focus and joy in her internal world. She comes from a long line of art lovers and teachers, and is passionate about sharing art as a transformative, medium with others.
Deidra’s
Candle, Meet Smoke
Show Description: After an erotic exploration with sex magic, Deidra Knight finds herself in the supernatural world of The Beyond. Thrust into this strange purgatory, Deidra comes face-to-face with Meaux, her reflection come to life, and must determine whether or not it’s safe to trust her mysterious doppelgänger.
Artist Biography: In a one-of-a-kind cocktail of poetic elegance, dynamic theatricality and sensual allure, Deidra Knight weaves together the worlds of acting and burlesque to create captivating vignettes that traverse passionate themes of magic, mystery, and pride.
Casimir Kotarski’s
All Aboard, Rentboy!

Show Description: “Are you up for travel companionship on a cruise? 7 days. Meet in Miami. A Virgin Voyage in the Caribbean. Serious here.” A transgender hooker foolishly sets sail with a man he’s never met. His fantasy of being flown out by a client crumbles as he finds spreading open his sea legs for an entitled suitor is no vacation. A fever dream complete with musical stylings, All Aboard, Rentboy! is Anything Goes’ raunchy and salacious grandchild. Will our hero make it out unscathed, or will providing a boyfriend experience get the best of him? A true story (unfortunately).
Artist Biography: Casimir Kotarski (he/him) is new-ish to the Bay Area, having spent five years immersed in Seattle’s underground drag scene and delighting the crowd as one of Pony’s go-go dancers. Since moving here, Casimir has reconnected with his theatrical roots and been honored to portray the role of Adrian in Compton’s Cafeteria Riot (Tenderloin Museum) and tour San Francisco’s elementary schools (tough crowd!) as an inattentive dog teaching mindfulness (Puppy Mind, New Conservatory Theatre Center). He’d like to thank his community of sex workers and trans people, whose magic and generosity so often go unrecognized. This is his first original work.
March 9 & 23
Beth McLaughlin’s
Not Everything is Going to Get Fixed
Show Description: I have always had trouble with words. Trouble finding them, saying them, even now that I’m older, spelling them, I mean, there has always been something in me, like a spring or a rocket, that is just throwing words up and out, recklessly, hopeful but uncertain, often with great force and seemingly purpose, but until I hear the words coming out of my mouth, I have no idea I am talking about.
Artist Biography: Beth McLaughlin is a San Francisco-based writer and performer whose work has been seen at the Frigid, Rogue, Boulder, Vancouver, and San Francisco Fringe Festivals, as well as locally at StageWerx, Monday Night Marsh, and Tell It On Tuesdays. Her full-length solo pieces are The Readiness is All, Here to See the World, and Cocky, and won a 2022 Marsh International Solo Fest – Solo Arts Heal award for her short piece “A Simple Ask”. She is currently working on Not Everything Is Going To Get Fixed as a full-length piece.
Mary Rothschild’s
Attention, Trust, and Children
Show Description: A personal and societal journey to valuing attention as the dynamic by which we are formed as children and that shapes our lives as adults.
Artist Biography: Over thirty years, Mary Rothschild established a children’s center, “Ariadne’s Thread,” that focused on developing long-term attention through handicraft, did graduate work in Family Media Literacy, and worked with parents of young children through her organization Healthy Media Choices. She also taught courses in Children and Media at Fordham and Adelphi Universities in New York. Her TEDx talk is titled “The Myth of the Digital Gene.”
Ariyele Ressler’s
Hot Not Hot

Show Description: In this raw, funny, and fiercely honest solo show, Ariyele stretches the limits of vulnerable storytelling to take us on a wild ride from long-term monogamy with a teenage sweetheart to queer, kinky, polysexual awakening—and the emotional fallout that follows. After a surprising confession from her partner of nearly 20 years, she departs from the talk therapy path and dives headfirst into play based open relating via a BDSM-influenced shadow play community. But when her partner begins exploring too, old wounds erupt. Through comedy, chaos, and deep introspection, she fights her way toward a new model of love and the unexpected peace of secure attachment.
Artist Biography: Ariyele / A is a lifelong multi-passionate multi-talented creative writer + performance artist. Poetry, musical parody, comedy, and long form storytelling are streams that A has always and will forever splash and play in.
March 30
Barbara Brady’s
My Dead Uncle’s Porn Collection (Excerpt)

Show Description: I have to clean out my “funny uncle’s” house. He’s dead. The whole family knows about him because, somehow, he was allowed to be around. All the time. Every family gathering. We had to warn each new generation about him. We never understood why he was the way he was. Maybe there’s something in his house that’ll explain it.
Artist Biography: Barbara Brady is a writer, performer and visual artist based in the San Francisco Bay Area. My Dead Uncle’s Porn Collection, her second solo show, had its first run at Tampa International Film Festival in June 2025 and was an official selection of the 2025 Soaring Solos Stars Series in Los Angeles and the 2026 Rogue Performance Festival in Fresno. Barbara performed her previous solo show, Father, Daughter and Holy Toast, to laudatory reviews at Orlando International Theater Festival, Cincinnati Fringe Festival and Rogue Performance Festival. Her work has been featured in Solo Sundays at Stage Werx SF and Sunset Solos SF as well as Tell it on Tuesdays at The Marsh in Berkeley. She sings a cappella jazz with The Merlot Notes, an 8-woman ensemble based in Silicon Valley.
Heidi Lechner’s
Bipolar-ish: A Story of Moods, Medicines, and Miracles

Show Description: A funny, musical, and heartfelt exploration of what it means to live with bipolar disorder—and how laughter and insight can become powerful medicine.
In Bipolar-ish: A Story of Moods, Medicine & Miracles, Heidi Lynn Lechner blends comedy, storytelling, and song to invite the audience into her journey with bipolar disorder, and how laughter, awareness, and unexpected moments of grace helped carry her through breakdowns and into breakthroughs. Inspired in part by A Course in Miracles, the piece is honest, uplifting, and a reminder that sometimes healing arrives through joy as much as struggle.
Artist Biography: Heidi Lynn Lechner is a Bay Area performer, writer, and spiritual comedian whose work blends comedy, storytelling, and song with candid reflections on mental health and transformation. A veteran of musical theater and a student of A Course in Miracles, she creates work that celebrates the messy, meaningful, sometimes medicated miracle of being human.
Dorothy Richman’s
Bless Your Heart
Show Description: When a stranger comes up to you on the street and asks if they can bless you–what do you do? If you are in Japan and don’t speak the language? And if you are a rabbi? With AI, internet trolls, and divisive rhetoric swirling around us, what does it mean for one human being to want to wish another well? Dorothy Richman walks with us down that Japanese suburban street, singing and laughing and wondering about the possibility of trust and connection and blessing.
Artist Biography: Dorothy Richman loves being on the Marsh stage….but not too often. Every seven years or so she finds something she wants to write and sing and carry on about and the Marsh lets her. Other roles she plays: dog Mom, Mom, Rabbi. She thinks the Marsh is a blessing.
April 6 & 20
Aimee Pavy’s
Midnight Tales
Show Description: Join me for this staging of a scene from my Grand Guignol-inspired horror anthology, a collection of modern fairy tales narrated by a mysterious storyteller who can only speak during the witching hour—midnight to one a.m.
Artist Biography: Aimee Pavy is the writer, director, and producer of the audio drama Twelve Chimes It’s Midnight. Her play Midnight Tales grew from ideas that were too visually rich for audio alone—stories that begged to be seen as well as heard. Shifting from an unseen, audio-only audience to the immediacy of live theater opens up exciting new possibilities for storytelling and stagecraft.
Howard Jennings Jr.’s
Black Men
Show Description: A show meant to inform inspire and create dialogue about black men in America. The good and the bad. There are 3 characters. The self proclaim Star ” Uncle LENNY G” “can you help a brother out” with LENNY G you never know what is going to happen…but it will be entertaining… don’t miss the second show LENNY will show off his acting skills…He will portray the Angry Black Man…be prepared to get mad offended or even embarrassed or laugh and laugh some more… with LENNY you never know… the other characters are retired USA Air Force Chief Master Sargent Howard Jennings a proud American ” God First, Country Second, Family third and finally BELAFONTE the conscious of Black America calling for understanding and compassion for black men. He will also challenge all of Americans with our gun problems. Too many guns in the wrong hands. Too many innocent lives lost. We can speak and demand real changes or do nothing. WE ALL HAVE CHOICES .
Artist Biography: Howard Jennings jr writes under the by line Howie BELAFONTE a nickname given to him by the Late D MACK…a soldier in the streets of North Oakland second by D WOODS a West Oakland legend and finally East Oakland ‘ MARCUS DYER a fellow San Francisco State Alumni… besides attending SFSU he also attended Phoenix Community College in AZ. And Solano Community College..The political and Social activist has worked on dozens of political campaigns including his own Jessie Jackson and Barrak Obama president runs. He got his first creative influence as an extra in the movie Tick Tick Tick starring Jim Brown. Always around entertainment..but not really in involved until 4 years when he appeared on Monday night marsh…. back for an encore performance.
Catherine Lange’s
The Muni Monologues

Show Description: Sophie has experienced the high highs and the low lows of the human experience, but she’s coming to the psychiatrist now because her occasional life-like visions of other people’s consciousness, access to knowledge and perspectives she never could have discovered on her own, makes her think she’s really gone mad. This solo performance piece is a series of seriocomic character monologues that explore the boundary between normative human behavior and pathology, what it means to exist in tension with a conflicted world, and how we relate, or fail to relate to each other.
Artist Biography: Catherine Lange (she/her) is a writer, performer, and pulmonology researcher based in San Francisco. Her short fiction has appeared in Westwind. Her audio drama Drive, and plethora of short comedy sketches can be found on YouTube. With her art, she’s currently exploring the schematics of the city, how it functions both as a collective of variously cohesive and contradictory voices and as a system with its own internal logic, guiding our social patterns through its spacial and human geography.
April 13 & 27
Michelle Moghtader’s
Mehmooni: An Iranian House Party
Show Description: Mehmooni is a semi-autobiographical one-person comedy about an Iranian-American family and the glorious chaos of their extravagant parties. Told through childhood diary entries, a perfectionist Iranian mom, and a formerly powerful uncle now clinging to his own myth, the show peels back the curtain on the hot mess behind the spotless house and perfect rice.
Artist Biography: Michelle Moghtader is a writer, comedian, and performer based in San Francisco. A former journalist covering Iran and the Middle East, she later co-founded Shared Studios, curating live “portal” conversations between strangers around the world. She currently performs stand up and improv in San Francisco. Her work is character-driven and explores diaspora, identity, and the politics inside family life with warmth and humor. Her current project, Mehmooni, is a one-person show about an Iranian-American family and the glorious chaos of their gatherings.
Irma Herrera’s
The ICEmen Cometh
Show Description: The ICEmen Cometh, a new solo play (in development) explores the impact of the Trump Regime’s attack on immigrants, and how the brutality and inhumanity of the deportation machine spearheaded by ICE’s dragnet to catch, detain, dehumanize, and deport people, is impacting communities, and eroding the civil rights of ALL people in the United States.
Artist Biography: Irma Herrera’s first play, Why Would I Mispronounce My Own Name? is a personal narrative with laugh-out-loud humor and a substantial dose of American history. It explores othering and belonging and who is valued in this country. The play had a five-month run at The Marsh Theaters (both SF and Berkeley) and has been performed nationally. Before becoming a playwright and solo performer, Irma was a San Francisco-based civil rights lawyer and journalist for three-plus decades. Through her powerful plays, Irma urges audiences to speak up and confront the enduring power of xenophobia, racism, sexism, and other forms of prejudice.
Ryan Serrao’s
Hair Loss is Real
Show Description: This is a 20 min comedic storytelling piece of my journey navigating hair loss as a man and all of its vulnerabilities associated with it which include the uncomfortable conversations with hair doctors, trying out various unsuccessful medications, its effect on my dating life, the change in relationship with my mother, the insecurity of knowing that someday I may go bald, and how I have finally managed to accept the harsh truth of life aka my bad genetics.
Artist Biography: Ryan Serrao is an actor, writer and comedian. He has trained in the Meisner Technique as an actor at The Meisner Technique Studio, San Francisco under Jim Jarett and has since been doing theatre in clowning (Clown, Mime, Mask and Buffoon) at the Church Of Clown in San Francisco. Recently he worked with David Ford at The Marsh, Berkeley to craft and perform a 20 min comedic storytelling solo performance titled “How I became a Clown”. You can view his solo performances on Instagram at https://www.instagram.com/
May 4 & 18
Vanessa McDaniel’s
The Journey Continues: A New Season –
Did Acceptance Show Up as an Uninvited Guest?
Show Description: This monologue is a continuation of a New Season – is it Denial or Fear? From the inevitable reality of a new season that placed me in a community of the aged, retired, senior citizen events, health quirks, etc. and a world I was not ready for. Although prayer, deep exploration and reflection of myself peeled the onion of denial, fear, grief, and pride, it is not without pain and struggling with myself that forced me to let go and wave the white flag of surrender. Acceptance won!
Artist Biography: Vanesa McDaniel has lived in the Bay Area all her life. As a creative, she is a writer and actress. Her most recent production “A New Season – Is it Denial or Fear?” was performed March, 2025, at the Marsh Theater, in San Francisco. Vanessa has performed in many productions in the Bay Area, which includes producing and performing her one woman show “Triumph” She has done “extra” work for televison drama (pilots) filmed in the San Francisco Bay Area. As a writer, Vanessa had the opportunity to write a teleplay for Cable Television – Channel 26, filmed and performed at the Berkeley Community Media and also performed on Radio Station KPFA (FM). She also wrote Free Speech messages produced and aired on KTVU, Channel 2.
Robert Geshlider’s
Consideration

Show Description: A performance as a 3rd person narrative composed largely of aphorisms developed as a means of facing persistent shame.
Source code:
—Even Not Spoken is about communication and how we get through to each other.
–The Disease is about being moody.
–“Get Getting, in between, how many times has, more of the, gathered together over the years.” This is where only the connective tissue is presented. The bones & muscles have been removed.
Artist Biography: Live and Recorded Performances
2025 “Get Getting”, Noe Valley Ministry, San Francisco CA
2025 “Hara Light”, Pallas Gallery, San Francisco CA
2022 “No Thinking”, YouTube
2022 “Open Mic w/ a List”, Neck of the Woods, San Francisco
2020 “Ozymandias” with Todd Hanson, Street Performance, Twin Peaks, San Francisco CA
2020 Charles Strickland in “Race” by David Mamet, with the San Francisco Recovery Theatre
2019 “I Recommend the Pointy Hat”, YouTube
2019 “I Don’t Know Where It Goes”, YouTube
2018 Times Unseen Festival, The Marsh Theater, San Francisco CA
2017 “Twice the Man”, Street Performance, Embarcadero & the Ferry Building, San Francisco CA
Ivana He’s
Bee-Boo Bee-Boo

Show Description: This is a variety show featuring cringe humor that evokes Tim Robinson’s I Think You Should Leave. Example pieces from the show include satirical pieces highlighting personal boundary issues when it comes to your cat and comedic sketches spotlighting a hallucinating AI. We explore the ridiculousness of health guidelines for the health conscious, like water intake suggestions, to what it’s like trying to rest at a museum while being chased after by gallery attendants.
Artist Biography: Ivana doesn’t have many accolades other than a nice degree she got a million years ago. Post-undergrad, she was in the education space, but eventually left teaching kids and then learned to code. While learning to code, she rediscovered her joy and knack for making people laugh, so over the last few years, she capitalized on honing her comedic and artistic skills – with the encouragement of having published cartoons and satirical pieces in places like The American Bystander and The Belladonna Comedy and having the support of family, friends, and random strangers.
May 11
Koorosh Ostowari’s
Part 2: Zombie Nation – The Hunger for More

Show Description: A 20-minute Comedy-Drama Solo Performance
The descent continues in part 2 as Zombie Nation shifts its lens toward the unconscious habits rotting the core of modern society. This segment is a provocative exploration of the “American Hunger”—from the dopamine loops of social media to the toxic masculinity and corporate greed threatening the planet. Koorosh masterfully deconstructs the justifications used by the powerful, weaving together the exploitation of the working class with the weaponization of the Christian Gospels. By examining the perversion of scripture—from Genesis to the Second Coming—the performance exposes how “faith” is often used to mask a lust for profit. Beyond the satire, it is a poignant reflection on loneliness, isolation, and the urgent need to reclaim our shared humanity.
Artist Biography: As an immigrant, playwright, and solo performer, Koorosh Ostowari utilizes the stage as a “journalistic vehicle for truth-telling.” His work is a fusion of deep study and lived experience, weaving together narratives that confront the friction of urban chaos and political hypocrisy. By blending biting satire with documentary-style drama, Koorosh challenges his audience to look past the surface of current events to see the systemic truths beneath.
Following a successful 2025 run of his acclaimed show, “Grandma’s Million Dollar Scheme,” at the San Francisco Marsh, Koorosh continues to use performance to spark dialogue and inspire meaningful change. He invites audiences into a provocative theatrical space where comedy, drama, and social commentary collide to expose the realities of the modern world.
Connect with Koorosh:
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Website: KooroshOstowari-art.com
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YouTube: @kooroshostowari-performer
Timothy Flanagan’s
To the Moon…and Other Things…

Show Description: On a fateful day in 1962, a young boy is confronted with some life-changing truths about his siblings, his family, and a deeper truth unfolding within him, which he is only just beginning to comprehend.
Artist Biography: Timothy was an active player in local theater here in the Bay Area throughout the 1980s and 90s, appearing in productions at Shakespeare in the Park, Shakespeare Santa Cruz and Marin Shakespeare Company where he played Macduff in their production of Macbeth. He starred as Max in Theatre Rhinoceroses acclaimed production of Bent in the early 90s and has had major roles in shows at The Magic Theater, The Aurora Theater and The Z Collective. He toured to Washington DC in More Than Names, a story of the making of the AIDs Memorial Quilt. After an extended hiatus from theater he returned to the stage in 2023, acting in their production of Reciprocating Pumps by Dirk Alphin, here at the Marsh. In 2024 he returned to The Marsh to play Gramps in Dirk Alphin’s play, Axis. This will be Timothy’s third appearance at Monday Night Marsh. His last two solo works were “Werner Herzog Said That” and “Waiting Lists.”
Hannah Gould’s
Divorce: The Musical
Show Description: Hannah and her accompanist will perform a 20-minute early draft of Divorce: The Musical, a radically honest tragicomedic journey of healing and self actualization after divorce. The protagonist, a bi-sexual woman in her late 30s, spirals into deeper and deeper self-awareness in the year following separation from her husband. The process is messy and filled with contradictions!
Artist Biography: Hannah Gould is a theater educator and performance artist based in Santa Cruz, CA.
June 8 & 22
Shayla Kerr’s
Amaly the Other Side of San Francisco
Show Description: This experimental piece is a blend of movement, a short contemporary dance piece, spoken word, and monologues.
Theresa Donahoe’s
All the Great New Things to Come
Show Description: “December 2019: My sister and I are having our annual holiday visit in Union Square in San Francisco. All of a sudden, a guy on a bike, speeds past me, practically knocks me over and yells, ‘watch where you’re going….TOURIST!’ Me? A tourist? Triggered!!”
Artist Biography: Theresa Donahoe is an actor who mainly performed theater in her youth. Deciding to take a break from theater, she started working in movies (such as SCREAM and RENT) while working in television and movie casting for many years as well. After a 17-year hiatus, she returned to the stage and decided to merge her love for writing with her love for acting. Once she discovered the art form of solo performance, she created and debuted her first solo show, “Late Bloomer” at the 2017 Rogue Fringe Festival in Fresno, California. “Born Again in Berkeley”, her second full length show, made its world premiere at the 2022 Rogue Fringe Festival and was performed at various Bay Area venues throughout 2024. “All the Great New Things to Come”, a story about being a fourth-generation SF Bay Area native, is her latest work-in-progress solo show.
June 15 & 29
Rana Mookherjee’s
Missed Acid Sesh
Show Description: This is a true story of me as a newly-arrived New Yorker to SF in the late 90’s, a random stroll to an iconic Mission Bar, a chanced encounter, a missed experience and conflicted cultural responsibilities.
Artist Biography: “Rana Mookherjee is a cocktail-party storyteller and chit-chatter.” He can best be described as the Indian Larry David where he is known for chronicling situationally-specific, mostly ridiculous, real-life stories that unconsciously unveils his very particular character, personality and idiosyncrasies.
Jeremy Greco’s
Rebel Without a Clue – Part 3

Show Description: Rebel Without a Clue – Part 3 follows Jeremy’s journey from his hometown of Santa Cruz to the unpredictable world of acting. Inspired by James Dean and fueled by his grandmother’s belief that he’s Dean reincarnated, Jeremy’s story begins in the quirky coastal town where he forms a friendship with a future star. Together, they chase their dreams at the American Academy of Dramatic Arts in Pasadena. Along the way, Jeremy encounters the highs and lows of ambition, friendship, eccentric mentors, and Hollywood’s challenges — all leading to one question: what could possibly go wrong when you think you’re James Dean reincarnated?
Artist Biography: Jeremy Julian Greco has written the solo shows, “With Held,” “Keeping Up With the Jorgensons” and “The Big Snap,” all directed by Mark Kenward. Jeremy’s solo shows have played at various venues and festivals throughout the Bay Area and the United States, Jeremy also produces the Monthly Solo Salon, Sunset Solos at Sea Level Gallery located in the Outer Sunset. Rebel Without a Clue is his most recent solo show. www.jeremygreco.com, ww
Satellite Campus’
What’s Our Vibe?
Show Description: Satellite Campus improvises comedic one-act plays based on an audience suggestion. We incorporate both grounded humanity and heightened absurdity into our performance as we explore the world of our characters—whether they’re a family on a road trip or a team of ghost hunters.
Artist Biographies: Satellite Campus is a 4-person improv team that formed after meeting during an improv summer intensive in LA. The team consists of Adam Williams, Elliott Jin, Harmony Johnson-Wicker, and Tyler Ross:
Adam has studied improv and sketch writing at the Upright Citizens Brigade Theater. His sketches have accumulated over 200k views online. He’s also studied clowning at the Church of Clown in San Francisco.
Elliott is a member of the house team at the Endgames Improv Theater. He’s also performed as an accompanist for several local musical improv teams including Knockoff Broadway, Sonic Boom, and The Fledglings.
Harmony is a member of the main stage cast at the All Out Comedy Theater, as well as RiOt: The Improvised Rock Opera.
Tyler is a graduate of the Upright Citizens Brigade Theater’s improv training program, and a former member of the house team at the WG Improv School.



