Performer Interviews, Q & A, and performance excerpts
with Marsh and MarshStream founder Stephanie Weisman
Thursday, December 17 at 7:30pm
Join us as Brian Copeland discusses his last remaining performance of The Waiting Period for 2020 and his upcoming performances of The Jewelry Box at San Francisco Playhouse.
Click Box to Watch!
More Information on The Jewelry Box
https://www.sfplayhouse.org/sfph/2020-2021-season/the-jewelry-box/
About the Guest
Brian Copeland has been in show business since he first stepped on the comedy stage at the tender age of 18. Soon he was headlining clubs and concerts across the country and opening for such artists as Smokey Robinson, The Temptations, Ringo Starr, and the Queen of soul Aretha Franklin, in venues from The Universal Amphitheater to Constitution Hall in Washington DC. Soon, Copeland branched off into television, appearing on comedy programs on NBC, A&E and MTV. He spent five years as co-host of San Francisco FOX affiliate KTVU breakfast program Mornings on 2 and two years hosting San Francisco ABC affiliate KGO’s Emmy Award winning afternoon talker 7Live. In 1995, ABC affiliate KGO Radio premiered “The Brian Copeland Show”. It’s unique mix of talk and entertainment soon made it the most listened to program in its time slot. Copeland branched out into theater in 2004 with his first solo play, NOT A GENUINE BLACK MAN. This critically acclaimed exploration of race and identity created an audience pleasing blend of laughter, tears and sociology that led to the show becoming the longest running solo play in San Francisco theatrical history. Successful runs in Los Angeles and Off Broadway and a bestselling book adaptation followed. GENUINE has been performed in over 30 cities across America. Copeland’s other theatrical work includes THE WAITING PERIOD, a solo play about his lifelong struggle with depression and the Christmas play THE JEWELRY BOX, opening in November 2013.
About the Host
Stephanie Weisman founded and has been the Artistic/Executive Director of The Marsh since its inception in 1989. Under her leadership, The Marsh has grown from a one-night-a-week performance series to producing 600-700 shows annually on its four stages. In addition to its developing work performance series, The Marsh’s programs include: artist-in-residencies, after-school and summer workshops for youth both onsite and in 5 SFUSD, and performance development classes, workshops and Performance Initiatives. In 1996 Stephanie spearheaded the drive to successfully buy their 12,000 sq ft facility on Valencia Street in San Francisco. This increased The Marsh’s programs four-fold as well as provided for a stable Bay Area arts organization. In 2010, The Marsh added a second venue in Berkeley. In 2020, Stephanie initiated MarshStream. She is currently at work developing her opera, Aphrodisia, with dancer, Wei Wang.