Performer Interviews, bantering, and Q & A’s
with founder Stephanie Weisman
Watch Dan and Stephanie’s Interview below from May 21, 2020 and then head over to get your tickets for the Upcoming Solo Performer Spotlight workshop show
Get tickets for Talk to Your People
About the Performer
Dan Hoyle is an Oakland-based actor and playwright. His brand of journalistic theater has been hailed as “riveting, funny and poignant” (New York Times) and “hilarious, moving and very necessary” (Salon). His solo shows EACH AND EVERYTHING, THE REAL AMERICANS, TINGS DEY HAPPEN, FLORIDA 2004: THE BIG BUMMER, and CIRCUMNAVIGATOR–all created and premiered at The Marsh Theater in his native San Francisco–have toured the country and overseas including Joe’s Pub at The Public Theater (NYC), Culture Project (NYC), Berkeley Repertory Theater, Baltimore Center Stage, Cleveland Playhouse, Mosaic Theater Company (D.C.), Portland Center Stage, Playmakers Rep (North Carolina), Painted Bride (Philadelphia), The Park in Calcutta, India, the Samuel Beckett Theater in Dublin, Ireland, and a U.S. State Department-sponsored five-city tour of Nigeria. As an actor, Hoyle recently appeared in Widowers’ Houses at Aurora Theater Company in Berkeley and Off-Broadway in Samantha Chanse’s FRUITING BODIES at The Sheen Center. His multi-actor plays include GAME ON, co-written with Tony Taccone, (TBA award for Outstanding New Play) THE BLOCK, which had a critically acclaimed run Off-Broadway in Spring 2016 (Working Theater), and GROW, a Northern California marijuana comic thriller, which premiered at Mendocino College in Ukiah, CA. He has been an artist-in-residence at Trinity College, Dublin and Columbia University’s Heyman Center for Humanities.
About the Host
Stephanie Weisman founded and has been the Artistic/Executive Director of The Marsh since its inception in 1989. Under her leadership, The Marsh has grown from a one-night-a-week performance series to producing 600-700 shows annually on its four stages. In addition to its developing work performance series, The Marsh’s programs include: artist-in-residencies, after-school and summer workshops for youth both onsite and in 5 SFUSD, and performance development classes, workshops and Performance Initiatives. In 1996 Stephanie spearheaded the drive to successfully buy their 12,000 sq ft facility on Valencia Street in San Francisco. This increased The Marsh’s programs four-fold as well as provided for a stable Bay Area arts organization. In 2010, The Marsh added a second venue in Berkeley. In 2020, Stephanie initiated MarshStream. She is currently at work developing her opera, Aphrodisia, with dancer, Wei Wang.